Author Charlaine Harris
posted on her Facebook page the cover of the last novel of the
Southern Vampires Mysteries, Dead Ever After, to be published
in May 2013.
The books are better known as the Sookie Stackhouse
series, and for seven years they were known only to fantasy porn
geeks. Then in 2008 HBO made them into a TV series called True Blood,
which at the moment has covered the first six books and aired the
fifth season last summer. Today True Blood is a most seen on the
channel, and it is watched not only by fantasy porn geeks. How the
hell did this happen?
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| Still from True Blood credits |
The
Southern Vampires Mysteries portrays a society very similar to ours
and implicitly criticises it through the literary strategy of
dislocation, in this case reached through the fantastic element.
Since the first chapters of the first novel Dead
Until Dark, the casual observations of the
narrator protagonist hint at drug, sexual disease, the power of media
and religion, violence, conscience and ignorance. Sounds familiar,
doesn’t it?
The setting in the small
fictional town of Bon Temps, Lousiana, implies terrible accent,
square minded people devoted to bar talks, affected religious
prissiness and scorn of anything a bit out of the ordinary. Vampires
coexist with humans thanks to the invention of a synthetic liquid
called Tru Blood. This doesn’t mean the undead completely stopped
feeding on people, or that the latter consider vampires their equals:
they either despise them as nature abominations, (illegally) sell
their blood as drug or aim at their überhuman sexual skills.
Discrimination is a
constant towards vampires, and it is further explored when other
supernatural creatures are introduced. Werewolves and other
wereanimals, fairies and witches disguise their identity for fear of
human judgement, and after a while you start wondering if there are
‘normal’ people at all and what normal is. Sookie herself is
considered crazy because she can read people’s mind, and not
acceptance makes her see her gift as a disability. Also, all the
characters, the main ones as the minor ones, have secrets to hide,
which makes the whole scenario a big fat lie. There’s no such thing
as a simple trouble-free life, even for rural Southern flowers.
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| Still from True Blood credits |
The concept of authority
comes up in many different variants, from the influence of religious
and political institutions, to the monarchic order of the vampire
world, more similar to feudal Middle Ages than 2012 America. Or, is
it there any difference? Fear, control of the masses, manipulation of
laws make men miserable, not fantastic creatures.
Vampires’ lack of
conscience and cruelty are driven by nature, yet some of them oppose
to this nonsense. Werewolves embody mob mentality, with the pack
master ruling and expecting loyalty from his pack members. Fairies
symbolise the evil rotting the insides of a beautiful creature. There
are no heroes, many villains, and a lot of shades inbetween.
During all this turmoil
and the unhappy incidents, all the characters deal with family, love
and friendships, showing the hypocrisy but also the strength of
bonds. These types of relationships are almost unified in that
between a vampire and his maker, also implying that procreation is an
act of love and not of selfishness. The human side of humans and not
humans is as prominent as their dishuman side.
Between the end of a love
and the start of a new war there is also time for a laugh. And when
you don’t laugh with the characters you laugh at them: sometimes
they are so silly, it is too easy to mock them. And probably this is
how clever critique attracts the average reader through light-hearted
adventurous stories you dedicate yourself to non to think too much.
Charlaine Harris sweetened the medicine of social criticism with the
honey of sex, thriller and fantasy.
But maybe I’m
overthinking this, I see conspiracy where there is only food for the
masses, this is just entertaining fantasy to distract people’s mind
from real life. To quote the fifth book of the series, Dead
as a Doornail, “Fiction
just makes it all more interesting. Truth is so boring.”
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| The thirteenth and last book of the Sookie Stackhouse series |